Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | model by a Heater | karin laser-karin lasande-karin med rod schal | studie till | The Eiffel Tower Under Construction | arkitekturen |
Related Artists:
Eleanor Fortescue-Brickdale,RWS
1872-1945 English illustrator, painter and designer. She entered the Royal Academy Schools, London, and won a prize for a mural design in 1897. She specialized in book illustration, in pen and ink and later in colour. Among her many commissions were illustrations to Tennyson's Poems (1905) and Idylls of the King (1911) and Browning's Pippa Passes (1908). She was particularly popular with the publishers of the lavishly illustrated gift-books fashionable in the Edwardian era. She exhibited regularly at the Royal Academy and the Royal Water-Colour Society. She took up stained-glass design (windows in Bristol Cathedral), which modified her style of illustration to flat areas of colour within black outlines.
Karoly Lotz
(16 December 1833 - 13 October 1904) was a German-Hungarian painter. Karl Lotz was born in Bad Homburg vor der Höhe, Germany, the 7th and youngest surviving child of Wilhelm Christian Lotz and Antonia Höfflick (Höfflich). His father was a valet of Prince Gustav zu Hessen-Homburg at the time when the prince was representing Austria at the Congress of Vienna, which among other matters dealt with the House of Hessen-Homburg's rights of sovereignty over Hessen-Darmstadt. The sudden death of the young Baron von Sinclair, charge d'affaires, forced W. C. Lotz temporarily into the rôle. While in Hungary in 1815 he made the acquaintance of the 13-year-old Antonie Hoefflich, whom he married three years later. She gave birth to 8 children, of whom Karl was the youngest. W. C. Lotz died in 1837 and Antonie moved the family to Pest (now one of the three constituent parts of Budapest; the one on the east bank of the River Danube). Karl attended the Piaristengymnasium, where, although Calvinist, he was awarded a scholarship for his exceptional academic performance. He began his artistic career as a pupil of the Hofkapellmeister Destouches, then in the academy of the Venetian master Jacopo Marastoni (1804-1860). Later he was a pupil of the historical painters Henrik Weber (1818-1866) in Budapest and Carl Rahl (1812-1865) in Vienna. Together with Rahl he worked on numerous commissions. Later he started on his own original works, first as a romantic landscape artist in scenes of the Alföld (the Hungarian lowland plain), and then as a creator of monumental murals and frescos in the style of the Venetian master Tiepolo. After various works in Budapest he became active in Vienna. He laid out plans for a grandiose palace, and completed murals commissioned by the Abbot of Tihany for his abbey church on the shore of Lake Balaton. He became known for his portraits and nudes, for which both his wife and his daughters (Katarina in particular) posed. Lotz found married bliss only at the age of 58, when he married the widow Jacoboy, the former wife of his brother Paul Johann Heinrich, who had died in 1828. From then on he signed his works Keroly Jacoboy-Lotz. In 1882 Lotz was appointed Professor at various art academies in Budapest, and in 1885 he became dean of a newly-established department for women painters. He was an honorary member of the Academy of Pictorial Arts in Vienna. Tomb of Keroly Lotz by Jenos Pesztor (Kerepesi cemetery in Budapest)Hist last important public commission was the "Apotheosis of the Habsburg Dynasty", a huge ceiling fresco in the Habsburg Room of the newly rebuilt Royal Palace, that he painted in 1903, one year before his death. Lotz was already seriously ill when he worked on the fresco. The "Apotheosis" followed the traditions of Baroque court painting and the work was praised by contemporary critics. The fresco survived the war unscathed, but it was destroyed in the 1950s. He died in 1904 in Budapest. As a "Prince of Hungarian Artists" he was given a state funeral and interred inside a memorial. His pictures, drawings and sketches were donated to the State of Hungary and are now in the Szepműveszeti Mezeum. Several Hungarian cities have streets named after him, there are Hungarian stamps bearing his likeness, and there is a bust in the National Museum in Budapest.
MASTER of Hohenfurth
Bohemian painter active 1350-70 in Prague